Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Tuesday, July 26, 2011

Wishful Thinking for Philippine Cinema Writathon


WRITE FOR ALEXIS and his wishlist for PHILIPPINE CINEMA!


RULES:

1 | Pick one wish from Alexis' wishlist. Google the article "WISHFUL THINKING FOR PHILIPPINE CINEMA" for a guide.

2 | Write about it on your blogs or word processors. No specific length, style or approach is required.

3 | Submit your works or links at adrian.lessegers@gmail.com or to any of the following host sites below:

http://cinematoncinematon.blog​spot.com/

http://adrianmendizabal.blogsp​ot.com/
http://kawtskamote.blogspot.co​m/
http://pixelatedpopcorn.blogsp​ot.com/

http://sanriel.wordpress.com/

4 | You can write on as many wishes as you want. The best write-ups will be published at at the upcoming INDIOCINE Film Journal.

ADDITIONAL INFO:

HI-RES POSTER OF EVENT (http://i439.photobucket.com/al​bums/qq120/adrianmendizabal/Wi​shful-Thinking3.png)

UNABRIDGED WISHLIST (dated March 15, 2009)
http://alexistioseco.wordpress​.com/2009/03/15/wishful-thinki​ng-for-philippine-cinema/



SUPPORT PINOY CINEMA!

Monday, November 22, 2010

CINEMATON 2 - STAR CINEMA



PAIRED UP: Anne Curtis and Sam Milby

Adrian here:

Star Cinema is making history --- and money. Nothing is healthier than a national cinema with an active studio system which continues to run the film industry generating hundreds of jobs to its people; and a diverse alternative cinema challenging the former's aesthetic, cultural and political content. Just to add a little bit of history here, the Philippine Studio system has always been with us since 1930s. It reached its Golden Years during the 1950s-1960s which was one of the most important periods in Philippine Cinema. We had LVN Pictures whose films were famous for being complex in terms of production and fim costumes. We also had the Sampaguita Pictures whose films were characterized by a pairing up of the prettiest and handsomest faces of the industry made for the youth. Premiere Productions boasts for its action and crime films while Lebran, Inc. was famous for their 'international' film aimed for the international audience. These were the Big Four of the 1950s.

Star Cinema has learn a lot from these big four studios. To keep its business going, it is solely run by its mother company, ABS-CBN, one of the biggest primetime television network operating today. Spanning for more than 17 years in business, it continues to reinvent itself by combining the strategies of the big four and a careful study of taste preference of its current market. It started 1993 with three films: Adan Ronquillo: Tubong Cavite... Laking Tondo (1993) an action film starring Bong Revilla; Home Along Da Riles (1993), a comedy film with ensemble cast starring Dolphy Quizon; and a romantic film May Minamahal (1993) starring Aga Mulach and Aiko Melendez. This line up would somewhat predetermine the type of films Star Cinema would be producing in the next 16 years: action, comedy and romance.

As part of CINEMATON! CINEMATON!'s monthly series, November is dedicated to STAR CINEMA and its history-making track record of genre films, that, 20 to 30 years from now, would be engraved in film history books on Philippine Cinema at large. CINEMATON! CINEMATON! offers fresh ideas with a pluralist touch on the topic: what is really Star Cinema from bones to flesh? With a special guest writer coming soon, this November's Cinematon will surely be as enjoyable as a fresh breath of air!


INDEX OF POSTS

D
ay 1

Adrian's Anatomy of AND I LOVE YOU SO (2009)


Day 2

Carl Joseph Papa's Me and You and Everyone we Know... JOLOGS!


Day 3

Miss You Like Crazy: The whole universe conspires for a happy ending by Fidan


Day 4

Chris Fajardo's Star Cinema, "Kailangan kita"...

Day 5

[link]

Ciao!
****

Saturday, October 2, 2010

Cinematon! Cinematon!

Adrian here:



W
elcome to Cinematon! Cinematon!


In response to the growing trend of blogathons in the film blogosphere, four Filipino cinephiles, Sani, Adrian, Fidan and Epoy merge to create a series of blogathons to analyze, 'problematize', laud, incarcerate, resurrect and demystify both the lost and growing trends in Philippine cinema and world cinema at large. On a group discussion over a cup of coffee last Septembet 17, 2010 at Cine Europa 13, the group felt the need to go against the traditional trend in film criticism. After forging their ideas and unwrapping several approaches and attacks to the problem, Cinematon! Cinematon! was born.

Hence, my dearest readers, this blog is created not under film criticism standards. Cinematon! Cinematon! values the school of eclecticism and pluralism: a way to attack cinema at various points of views using different approaches rendered under different mediums to create an approximate picture of the whole. From poem review to Neoformalism to photo review to interviews and podcasts to painting, sculpture and random link rolls in English, Filipino, Latin , Russian or French, Cinematon! Cinematon! commits to be a different venue for cinema: an alternative, revolutionary and comprehensive site for everyone to love and hate, to criticize and applaud, to denounce and recognize.

After all, cinema is revolution.


Ciao!
****